( Here is Kent with Kim, a studio assistant from Clayworks)
( You can see Suze behind her booth talking to customers)
( My sea of aqua pots)
( Here's Ron Philbeck and Chris, a student from Clayworks)
( Here is Amy Sanders work)
( Here is Kent with Kim, a studio assistant from Clayworks)
( You can see Suze behind her booth talking to customers)
( My sea of aqua pots)
( Here's Ron Philbeck and Chris, a student from Clayworks)
This Saturday is the spring Circle of Eight sale. The weather looks like it will be great for pots, friends and no tents! As you can see Suze Lindsey and Kent McLaughlin will be our guests. This is also very exciting for the group.
I don't think it ever fails that I say I just have not been blogging due to all that I've been up to. Yesterday was a "home day". That means I had no where to go and I could just focus on my pots and my family. These are my favorite days and more and more I understand that my personality or the joy I get out of life needs this. I think I have realised that something needs to go on my list of obligations here, there and everywhere. More on that in the future.
Here are the jam jars. The little spoons did turn out and you can see the handles sort of poking out the side. Well, now that I think of it, only the aqua jars came out, the green ran really bad and are sitting in my shed waiting to be chipped off. ( Boy I hate when that happens). I'm planning on making a little dish for these guys to sit on. Something about just the jars alone with the spoons doesn't sit right with me.
I finally got myself to the store to buy some clean plastic containers for mixing glazes. I also went through all my glaze recipe's to see what I could find to test. I'm looking for a new base glaze because I've come to the point where I don't have time to deal with all the run-off my glaze enjoys doing from time to time. Its is a beautiful glaze body but I think I may be able to come up with some equally as nice and vary the pallet a bit more. 








At the moment I'm focusing on a compliment for my amber glaze. What shade of blue or purplish blue should I go for. And should I even add blue back into my glaze palette. Boy does blue get such a bad rap in the pottery community although I think it is making a comeback.
For the time being, what time I have.. I'm going to do some tests, slowly, maybe experiment with some commercial glazes and keep checking in with my pottery buddies for their input about this and my work. It is such a great thing to have good friends and folks near by that I can say "Hey...how awful is this? What do think? What should I do...ect."
Happy, delicate, delightful, fun, playful, colorful, unique, whimsical, enchanting, light, refreshing, childish, haunting, feminine...........
I went to visit Ron the other day and I got to pick up my pots that he fired for me in the salt kiln. You all may remember that in January I took a little break from Porcelain and decided to throw some white stoneware I had in my barn for awhile. I dipped them in Tile 6 for a slip and then used just a simple black glaze and a yellow glaze for the inside of the pots. You'll see that the yellow did not turn out the way I thought it would but it was my own fault for not testing it. ( And of course I know not to do this but....I was just playing around so I went on a whim.)
So..here are some of the pots. I think I have also said before that I'm planning to play with the surface a bit more. I'm not really sure what I'll do but I know they will go into the electric kiln for a few firings and they will have color on them. ( No way I keep anything simple!) Next week I think I'll get to all this.
I'm going to get back to my thoughts about the color wheel soon as well. Ron and I have been having lots of conversations about surface and color lately. Now I can truly say that I think glazing is the hardest thing to do when it comes to making a pot. So many options to choose from and so many things to flub up. I am happy with my pots from the electric kiln which has taken me a long time to except. I'm sure all my insecurities about using an electric kiln come from the educated background I have. When I was in school it was not cool to put work in a electric kiln. Everything was about atmosphere! Boy how things come full circle. In my view I see so many great pots coming out of electric kiln that I'm sure it has caused me to hold off on hooking up my salt kiln even more! I think everything comes full circle. Boy all of you who fire just gas, your time should be next!
Very unhappy morning. I went to put my morning buzz in the "selection" of the day..mug wise, and when I turned around, the coffee was leaking everywhere. My Marty Fielding mug finally kicked the dirt after about 8 years of serving our family well. So sad when you have to euthanize such a wonderful pot. In same ways its easy when it gets knocked off the table and tumbles into a million pieces. I guess at some point, hopefully I'll catch up with Marty again and get another one.

I don't think there has ever been a time when I haven't had tons of color on my pots. I know back when I was in school, sometimes I felt like the only one not doing wood fired, earthy tones. I constantly questioned this decision whenever I sat in Critiques with my fellow students and all the professors went on and on about the flame color on the pots. I also have always gone back and forth with the "more, more, more" decorative issue on my pots. I've often looked at John Glicks works and wondered how he can get so much information on one pot and make it work so well. I find this to be very hard and I know sit again struggling with the thoughts of color, line, form and surface when I think about my pots.

My boxes. I'm always so happy when my boxes come out of the kiln because they take so long to make.













JANUARY
"8 Fluid Ounces" - National juried cup exhibition
1/25 Through 2/25, Gallery Talk 1/28
Shaw Center for the Arts LSU School of Art Alfred C. Glassell Jr. Exhibition Gallery Baton Rouge, LA
FEBRUARY
"Flora" - ceramic works by Jenni Brant & Jennifer Mecca
1/30 Through 3/2, Reception 2/3 .......6 to 9pm
Gallery Up 201 E Main St, 2nd Flr Gettys Art Ctr Rock Hill, SC 2973
APRIL
"Vases for Spring", Invitational
4/3 Through 7/16
Worchester Center for Craft - 25 Sagamore Rd, Worchester Mass. 01605
http://www.worcester.edu/WCC/default.aspx
"Memory & Metaphor" - by Duy Huynh, Jennifer Mecca and Honora Jacob
4/4 through 5/26.... Reception 4/6
Lark and Key 128E Park Rd, Charlotte NC
"Thrown Together Spring Sale" - group show featuring Jennifer Mecca, Ron Philbeck, Amy Sanders and Julie Wiggins.
4/28 (10am to 4pm) Special Quests - Kerry Gonzolaz and Dean & Martin Pottery
1225 Dade St. Charlotte NC
JULY
Thrown Together Group show - name to be announced
6/1 through 6/31
NC Craft Gallery http://nccraftsgallery.com/
ARTS IN THE PARK-Blowing Rock
6/14 (10am to 5pm)
Downtown Blowing Rock , NC
http://www.blowingrock.com/artinthepark/
AUGUST
ARTS IN THE PARK- Blowing Rock
7/11 (10am to 5pm) Downtown Blowing Rock, NC http://www.blowingrock.com/artinthepark/
NOVEMBER
"The Cup Show",
11/17 Through 12/24
Worchester Center for Craft - 25 Sagamore Rd, Worchester, Mass 01605
http://www.worcester.edu/WCC/default.aspx